Tag Archives: Bernalda dialect

My country tis of thee

I heard a song on the radio tonight, a woman singing about “America,”  lamenting its propensity to become ever more unsatisfactory.   I cannot disagree with her criticism, yet maybe she is just too close to be able to appreciate its positive nuances.  Or maybe there is another song which sings the praises, I don’t know.   It made me think about what it means to love a country, an abstract ideal of a place contained within corporeal geographical boundaries.

You might think that I, having abandoned my country, would be less than patriotic.  It seemed almost effortless to go elsewhere.  Actually I was born in Canada but was thoroughly absorbed into the United States by the age of about eight, whether by indoctrination or simple distraction I don’t know.   I do know that when I was born my mother was gnashing her teeth at the snow and darkness, waiting for the day when she could return to a place as close to Oklahoma as her husband’s professional life would allow.    I know this necessity was  critical   because we lived in a motel in Austin for a couple of months until my father could maneuver his way into a job at the University.  He arrived confident that he would be indispensable  here, and his wife’s urgent need for her “America”, as soon as possible, lit a fire under him.

I think it killed my mother’s soul that I decamped as I did, allowing myself to be absorbed in the form of  duffel bags and boxes into the Italian miasma.  Surely at first she couldn’t foresee the months stretching into years and decades.   She and I had never liked Italy, briefly visited twice in my childhood.  There was nothing of value I could see here;  just shabby truckloads of tiresome paintings and architecture,  broken statuary and annoying men who stared for too long.   She was forever a rural Oklahoma girl, who, in her own time, could not wait to get as far away from home as possible.   She was always much too  diplomatic  to tell me how my choices had hurt her.   I wonder how her mother, in her time, had thought of her daughter’s own wanderlust and rejection of life on the farm.  I am betting that she  understood.

 

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“Home Sweet Home,”  mixed media on paper

It is a terrible thing to try and express  provincial metaphors which no one shares.  Or crack a lame joke which is met with blank stares.  Or endeavor to recount a wonderful experience which becomes tedious in the telling, as every nuance must be explained in plodding precision,  patiently tolerated by the listeners as long as  it does not go on too long.   A shared culture is a wonderful thing, do not underestimate its charms!

Imagine telling a story without being allowed to use certain ideographical  expressions,  or word forms such as pronouns or adjectives.  Who was this Jackie Gleason fellow?  What do you mean, the  five second rule?  Why would a person be a potato  on a sofa?  Why do you insist on using those bucket-sized drinking glasses?    A friend once provoked me by saying that I could never really understand a certain Italian singer/songwriter because I lacked the baggage, the cultural knowledge,  the historical background.  So right he was.   Intellectually I can understand the meaning, certainly the musical sounds, but what I hear is unavoidably different, somehow skewed and hollower than the artist intended.

I think that living in a different place, a culture where much cannot be taken for granted until it is internalized, creates a unique appreciation of  provenance.   Imagine a woman who finds the presence of children irritating  up until the day she finds herself unable to contemplate life without her own.  Suddenly she understands that her offspring have given her a stable and sustaining anchor, and she is able to love all those other children as well.  She knows what they are, is able to empathise with them. Being away from my home has allowed me, as I came to absorb the Italian culture, to appreciate my American-ness.   My country has become so much more important to me in its absence because I have been able to distill my ideas of it through a foreign filter.   It is almost intoxicating.

So this is how  I have come to be a fiercely patriotic person, and while I am forever attached to Italy with many roots, it is the United States of America that I love.  Can one really love a country?  No, probably not, but I carry around inside me a solid and comforting load of  shapes, smells, stories, and conventions that are uniquely my own and are dearer to me than most things.  My hope is that my children will also absorb this love and weave a truly wonderful tapestry out of  their double load of culture.  Wouldn’t it be fantastic if they married members of yet other cultures?  I am prepared to travel.

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“The Choice”  pencil on paper,  28 x 40 inches

What did you say?

I always think it is incredible when someone asks me if I speak Italian, forgetting that they might not know that I have been here for  thirty years.   Of course I speak Italian; I had to learn it to get along when I first stayed behind in 1982 after the excavations group flew back to the States without me.  And then I remember that there are people living here, people who claim to adore the local culture and society, who after almost as many years still do not speak the language.

How can you live in a place and not learn the language?   I know the answer.  You form your own small comfortable ghetto comprised of people just like you and continue to live in the bubble.  The culture “outside” is a cinematic illusion, to be sampled on outings, a kind of  resident tourism.  You are able to conserve your romantic views of the culture without getting your hands dirty, and without truly understanding what the hell is going on around you.  Good luck with that.

“Castello di Oriolo, Isolato” pencil and metallic pigment on paper

Down where we live, they proudly speak a dialect.  “V’rnallese” is its name, or “Bernaldese” in Italian.  It is one of hundreds, each uniquely-evolved on top of  crowded hilltops  in tiny anthill-like communities over three thousand years or more.  And yet these dialects are sprung from common roots:  Greek of course, as this area was Magna Graecia after all,  and Arabic.  Neopolitan, the “real”  Italian language, not that flat and colorless version spoken in Florence, which, thanks to television and the Republic, is today considered the standard version.  And smatterings of other languages as well.  Near us there are towns which conserve their Albanian language, including their street signs.  There are also towns which still have strong Aramaic roots in their dialect.  French, Spanish, even recent English contributions: In Bari they say “celery” for the Italian sedano, I am sure because of the second world war and the number of American servicemen there.   In Bernalda there are many oldsters who are known as “Shoomak” which reflects their experience as emigrants to the USA where they worked at making and repairing shoes to survive.   All these cultural contributions are smudged together in each small town to create a particular version unique to that town.

My learning curve was a little steep, because all my friends here typically spoke this dialect among themselves, although they could be prevailed upon to translate for me into Italian. If I had known Italian at that point I would have had it made!   However I spent many an evening laughing along with the group in utter ignorance of what was going on.  But I can be perceptive, and this saved me on many occasions in following the gist of things by observing body language and context in order to muddle through.   In the 1980’s, being young and blonde, it wasn’t hard to get along on nods and  smiles.

Notice I said “they” speak a dialect.  This is to say, while I understand almost everything (although I still encounter an obscure term every few days or so, and have to learn it) I do NOT speak it.  I think it.  So my cerebral routing procedure is as follows:  English to dialect, dialect to Italian.  The reason I don’t speak dialect I suppose comes from a sense of pride in my almost-perfect Italian pronunciation (people may or may not know that I am “not from around here”)…and it is also because I don’t relish the smirks and ironic comments which so often greeted my attempts at formulating thoughts in dialect.  OK, I learn.  In my mind, I speak it acceptably, but I still trust my Italian interlocutor to express my ideas.  And that Italian, in my case, is heavily-inflected with the southern accent of these parts, of which I am proud.  I ignore smirks from northerners as well.

I have spoken American English to my kids ever since they were in the womb.  They had to deal with the two most important people in their lives speaking entirely different languages to them at all times.  The conversations between myself and my husband are invariably in Italian, unless we are in the USA and he is required to use English, in which case he may surprise us all with his ability.   My kids and I speak English to each other, and they speak Italian with my husband.  It can get interesting at times, as we lapse into a strange patois  without realizing it!  “Ma!   Puozz’mangnia’ some of those biscuott’ you bought stamattina dal forno over by the ufficio postale?” *    The upshot is that my kids are truly native speakers, and by that I mean indistinguishable from natives, in both languages.  Of course we hope that this brain re-wiring will do us all good in some way.  We are flexible, and sometimes we are also confused!

I have my favorite examples, of course, of the incredible disparity between classic Italian and our jealously-preserved dialect.  My spellings are the best I can do to approach a phonetic  definition.  I enjoy following the town discussions on Facebook, where people’s attempts to write in dialect can be quite amusing.  Traditionally it has not been a written language, although scholarly types have published a couple of books on it recently.

Directly from the Greek is the orange, or arancia, which is the portaialla in Pisticci, the next town over, and l’ammaranch’ in Bernalda.   Need some wine, or vino?  Ask for “na zicca d’mieeruh.”  A napkin, or tovagliolo,  is “ooh shtiavruccula.”    Snails, or lumache?        “Cozzaiuffula.” 

Over in Pisticci, they came up with a relatively new expression–in the last century– to designate the mirage which sometimes forms over  asphalt, and I absolutely love it.   “Ooh marawall” means, roughly translating into Italian and English, “uguale al mare” which is, poetically, “the same as the sea.”    And it is!

In Italian, to ask, “If you are ready to go, let’s go, and if you’re not, we’ll stay” you might say, “Se dobbiamo andare, andiamo.  Se no, non ce ne andiamo piu‘.    In Vrnallese:  “Se ‘na ma shee, sha ma nneen.  Se nun a ma shee, nunn’ a shiamma shenn.”  It really does roll  musically off the tongue.

It is important to know which day you are speaking about, so “today,”  or “oggi”,  is ” iosh‘.”

Tomorrow, or “domani,” is “cra.”

The day after tomorrow, “dopo domani,”  is “p’scra,” and the day after that is “p’screedd.”     (The double consonant indicates a firmer pressure of the tongue against the palate.)

And the day after that?   “P’scruofula!”

What (She Says) He Said oil on canvas

*”Mom, can I eat some of the cookies you bought this morning from the bakery near the post office?”